Roman Cieslewicz (1930 - 1996)
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Title:
USSR / CCCP USA SupermanRoman Cieslewicz — USA / CCCP (Opus International), 1968 (Superman)
Date:
1968
Size:
21.5" x 32.5"
Medium:
Serigraph
Price:
$950.00
INV. #:
18240
Roman Cieślewicz — USA / CCCP (Opus International), 1968
Created in 1968 for the cover of the Paris-based art magazine Opus International, this iconic image by Roman Cieślewicz stands as a sharp visual commentary on Cold War duality. The composition presents two nearly identical, mirrored figures modeled after the archetype of the comic-book superhero, distinguished only by the emblems “USA” and “CCCP” across their chests.
Cieślewicz, a central figure in postwar European graphic design, was known for his politically charged photomontage and bold visual language. Here, he distills geopolitical tension into a single, confrontational image—suggesting not opposition, but equivalence. The symmetry implies a critique of both superpowers, questioning ideological binaries and the notion of moral superiority during a period defined by global polarization.
Printed in Paris and published by Georges Fall, this work reflects the radical intellectual climate of late 1960s France, where graphic design and political discourse were deeply intertwined. The use of a familiar superhero form, recontextualized into propaganda critique, places the piece at the intersection of pop culture and political art.
Professionally linen-backed and presented in excellent condition, the poster is well-preserved and ready for display. Works by Cieślewicz are increasingly collected for their influence on modern graphic design and their enduring political relevance.
Created in 1968 for the cover of the Paris-based art magazine Opus International, this iconic image by Roman Cieślewicz stands as a sharp visual commentary on Cold War duality. The composition presents two nearly identical, mirrored figures modeled after the archetype of the comic-book superhero, distinguished only by the emblems “USA” and “CCCP” across their chests.
Cieślewicz, a central figure in postwar European graphic design, was known for his politically charged photomontage and bold visual language. Here, he distills geopolitical tension into a single, confrontational image—suggesting not opposition, but equivalence. The symmetry implies a critique of both superpowers, questioning ideological binaries and the notion of moral superiority during a period defined by global polarization.
Printed in Paris and published by Georges Fall, this work reflects the radical intellectual climate of late 1960s France, where graphic design and political discourse were deeply intertwined. The use of a familiar superhero form, recontextualized into propaganda critique, places the piece at the intersection of pop culture and political art.
Professionally linen-backed and presented in excellent condition, the poster is well-preserved and ready for display. Works by Cieślewicz are increasingly collected for their influence on modern graphic design and their enduring political relevance.